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The Golem

by Ari Rosenfield

supported by
Drew Parker
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Drew Parker A truly beautiful undiscovered gem. It’s a damn shame she doesn’t play anymore
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1.
List 04:11
goodbye, arizona - there ain't a blue sky here left to hold you. the water here comes easily to hand, kills all the things that lay their misdirected roots beneath the sand. and goodbye to your son - i have cried his name to everyone. for all his braids, and hands, and creosote skin, the god pretention was an ugly one. well there're grapes out on the vine now, klaus. the time will come someday when i've forgot. for now, the days come in impenetrable knots. what was this expectation of return? what code was i expected to discern? the language you speak is foreign and absurd. mine's no easier to understand, i'm sure. but you, i thought a linguist; i thought i'd figured out the whole thing. so i went out in the yard and i set fire to your face, soaked that golden throat in butane. well there's rain up in the mountains, klaus. go and list me all the wrongs i've done. you will never hear this song. but this is not a eulogy, nor the writing of a history. you astonish in your clarity.
2.
On Urras 03:37
blink and sneeze and stare right into the sun anarres picked me up shook like a dusty rug and set down by the scruff eyes wet, nose wet, direct line to the gods it ain't always pretty that platonic soup whence newton yanked the calculus so it's one-two-three, six minutes' certainty near-spiralling infamy maybe i'll know when i see the dilettante, the prophetess, unfamiliar scent of war her smile is like an answer or just an open door now i'm cut off, like a cancer i came to behind bars, forgot everything i'd known they might've thought to change me they couldn't chain old odo i'm nothing but their worker bee so it's one-two-three, nine minutes' certainty reduced to babbling infancy maybe i'll know when i see
3.
whomsoever should come, they should rip you apart with an unrestrained bloodlust too kind for your deeds. she's the servant of all of your want and your need. all the faces you've known, they're now grey with defeat: you see them in sleep. but if i could, i would tell that girl that even saints have regrets, and if anyone says that they never have, i'd say they're full of shit. whomsoever should come writes in hand slanted right, never desperate, nor wanting, nor untoward in form. inescapably false, all her old sawhorses worn. all your loyalty once to her cold bosom sworn, but that oath's been forgone, and long forgotten.
4.
Yahya's Song 03:51
who found you, who placed you, who pulled, and wailed, and needed you? and who will be, and why did she, and who'll be there at your funeral, gazing to the cold ground? to keep from harm the little invalids we both shell. to sit up in the eyrie, keep you from that neverending atrophy. and who is he, and what does he, and what right has he to be here? and who's coming, and when coming, and why do i persist in my waiting 'round to find you? quiet's dogged the heels of my whole life, so brief. well i'm on my own, nobody waits there: the great comedy is that this was ever my belief. well why should i, and why should we, and who made it up in the first place? and if i did, would you still; would you follow me, and do you also have days where you can't breathe? are there days where you see everything? and you stumble through these, you're like a raw nerve, you're flayed open to the muscle and the bone beneath. and whose arms did, and whose legs did, and whose backs held you up in the meantime? what sorrow, how joyless: his signals were sucked up by the darkness, the absolute zero. i know in my core, there's no-one listening for me. still, i've carved your name into this hillside, so rest in peace, yahya, perhaps not wanting to survive.
5.
6.
a few short lines, and the luck of the draw we cling to him still, but it's time to ride on he was already lost, somewhere back in the fall but this is not news, it is what we all know haven't you heard? those were the last days of the house of 10000 terms those, her sweet parting words: take no prisoners!!! i'll admit, timing was never my strength we go back and forth, and she curses and spits oh, that ill-tempered girl, bet she curses the day she's saved it for me, a debt yet left unpaid haven't you heard? they're leaving this morning, the rest of them leave on the third the insurmountable debt i've incurred, to be left unreturned hot halcyon days with his scent in the air you're bound still to distinguish, you judge without care and i'm sorry, i'm sorry, for what have i done? made solid the end we knew was there all along heavens proclaim! those were the last of the house of 10,000 names and me at the end of my chain, well, i walked away but it's over, my love, it's over, and you can go home cast off the dross that comes shrieking and shaking her chains does she whisper my name? does she say i'm to blame?
7.
Seagulls 03:07
why should i explain myself to you? you're just a cup of seawater, only the balance rings true. i'm sick to death of all the words you want from me; only fools put faith in words, they live in blessed lunacy. none of their laws or conversations hold your ungulate grace. this length of rope, this dimpled hyperbole, might never come back home. it was that time of morning when the frost still stuck to the windows, and every sound carried for miles in the wide open mouth of the day; but in the meantime, i've got a foot or both on the ground. and i can never, ever hear myself think here, so when you come out to see me, the noise will fill an ocean. when you cross my mind, i might as well be walking on marbles: small and cold, live in a state of cheap sedation.

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released May 4, 2016

Couldn't have done this one without Marcus V.

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Ari Rosenfield Santa Ana, California

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